The Best Canon DSLR Camera Lenses for Different Kinds of Photography

The Best Canon DSLR Camera Lenses for Different Kinds of Photography

By Jeremy Bayston | Submitted On March 29, 2020

Canon make some great DSLR cameras, and Canon users are very lucky because there are some superb lenses to go with them. Of course, all lenses are a compromise - the perfect lens does not exist, that will shoot all types of photography brilliantly. Kit lenses - the manufacturers generalist lenses - are usually pretty good at many styles, but they aren't excellent at all of them. For example, a sports lens may not necessarily be great for landscapes. And then the cost is also a factor, which can affect the quality of the image and the ease of use of the lens. Of course Canon make a series of different lenses for different DSLRs - both full frame and crop frame. Canon users are lucky because their full frame lenses will also work on their crop frame cameras.

Landscape lenses

In terms of landscape photography, a Canon user has a wide selection of choices, which is quite fortunate because landscape involves patience and the pursuit of perfection. the best landscape photography brings to mind a sense of time and place, allowing the viewer to interact with the image and its expanse and detail. This means that the photographer needs to understand perspective and composition, so that their picture can tell the intended story. Very often, the photographer will have studied the scene well beforehand, making sure that all the conditions are just right. So, I suggest that the best canon lenses for landscape photographer are:

The canon EF-S 10-18mm f/4.5-5.6 IS STM lens, which is really good for architecture and landscapes. It is also light and cheap, which makes it a really good starter lens of those who want to photograph the outdoors.

A good prime lens is the Canon EF-S 24mm f/2.8 STM lens. This is a super sharp lens and is a really useful lens to have in your bag. There is some distortion, but nothing that can't be corrected in editing software.

I also really like the Rokinon FE14M-C 14mm F2.8 lens. It is super sharp at f8 and, whilst some people might baulk at having to use a manual focus lens, I find it really complements all the technology I have to work with and makes me think more about the content of the picture.

Sports lenses

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Action and sports photography is all about capturing the moment. Every second counts and you only have one chance to get the shot. Of course, practice does make perfect but having a good fast lens will certainly help. The first choice for nearly every sports photographer would be the Canon EF 70-200mm f/2.8L IS II USM lens. This lens is excellent in the areas that matter - fast autofocus, pin sharp and great in low light. However, it is quite heavy, so you would probably be working with a monopod. This L lens is designed for full frame Canons, but it works very well on a crop frame, with that extra length taking it up to 320mm.

Another full frame lens is the Canon EF 100-400mm f/4.5-5.6L IS II USM. This is a great lens for use in good light and the image quality is superb. This is a really good lens for wildlife photography, especially on a crop frame camera, as the length reaches 640mm.

If you want to be the boss of action photography, you might want to think about the Sigma 150-600mm f/5-6.3 DG OS HSM Sports lens. It looks like a bazooka and has about the same impact. Despite the weight - 3 kilograms - it produces wonderfully sharp images and has very fast autofocus.

Travel lenses

When you are looking at getting a decent travel lens, you need to think about more than just image quality. How big is it and how versatile, should also be your considerations. because if you are going to take travel pictures, you will be... traveling, and unless you have some willing sherpas, you will be carrying everything around yourself. You should be thinking about two lenses, ideally. A fast prime, and a versatile walk-around zoom lens. The zoom lengths you should be looking at should be around 30-55mm, which are great for street photography, architecture pictures and landscapes.

One of the best Canon lenses out there at the moment is the Canon EF 24-70mm f/2.8L II USM lens. It is a great fast lens that produces excellent images. It is also weather-sealed which is useful if you intend to go beyond the city limits.

The Tamron AF 28-75mm f/2.8 SP XR Di LD lens, is also a really good travel lens. It offers a nice, wide angle, very sharp images and is really good in low light.

And the Canon EF 24-105mm f/4L IS USM lens is a really popular lens with travel photographers, because it gives you that extra reach.

And your prime lens? Well look no further than the Canon EF 50mm f/1.8 STM lens. This nifty fifty is just fab, and will fit into your pocket too.

Portrait lenses

Portrait photographers have to shoot all kinds of pictures, from family style group shots to corporate head-shots. And anyone who has taken pictures of people on a professional basis will know how hard that can be. Because the purpose of a portrait is to reveal something about the subject - their character and personality. If you fail to do that, then they might as well have popped down the Photo-Me machine at the post office. Ideally, the best length for a portrait lens is around 80mm and so Canon crop frame cameras have something of an advantage here because the Canon EF 50mm f/1.8 STM lens offers 80mm on and APS-c camera, which is perfect. However, if you have a full frame camera, or would just like a little extra length, then the Canon EF 85mm f/1.8 USM lens is an excellent portrait lens. The f1.8 aperture is ideal for shallow depth of field work that lets the subject really stand out against the background. It is also very sharp, with fast autofocus. And there is no need to go any further, because whilst Sigma and Tamron produce very good 85mm lenses, neither are as good as this Canon lens.

Jeremy Bayston is a professional photographer and videographer and has 30 years experience as a picture editor for national newspapers in the UK. He has just launched his Superb Canon DSLR lens course, which offers over 4 hours of information about lenses for Canon DSLR cameras and features some amazing pictures you can take with them. Designed for beginners and enthusiasts, if you are looking to buy a new lens for your DSLR camera, then this canon lens course is for you. Follow this link to find more information, including two full videos from the course.

Or check out this video https://youtu.be/GT5xu5IgOm4

Article Source: https://EzineArticles.com/expert/Jeremy_Bayston/1410650

10/16

Do You Prefer A Digital Dslr Camera Or A Film Camera For Your Photography ?

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 Digital Photography & 'Special Effects' Yet Some Prefer to Use Film
By John Cohen  |  Submitted On May 28, 2020
I recently talked to a young man who I discovered was very interested in photography (he did not know anything about my own 'Special Effect' photography), and having told me that it was his main hobby, I was intrigued, and very surprised, when he explained that he far preferred to use film rather than digital imaging. Even though it is so difficult and expensive to buy film these days. I wrongly presumed he was referring to Black and White photography, but soon realised he was buying colour films.
All new cameras, even mobile phones, are digital. Also, there are only a few small laboratories that will process colour film, and home processing although possible, is not easy. Yet he told me there are groups of photographers, like him, preferring to use film and their numbers are growing.
I have looked on the Internet and there are indeed lots of discussions on the advantages, or disadvantages, of using film in comparison with digital.
The majority claim that in using film, because of the need to be far more selective (taking far less photographs due to the high costs), has trained them to become far better photographers.
Another claim was that good digital cameras are expensive and need to be replaced every four, or five years, as they are upgraded so frequently. Yet buying a second-hand film camera will be cheaper, last a lifetime and will hold its value, even though film cameras are far bulkier and heavier.
Lastly, old transparencies and negatives can, and will always be, easily viewed, but who knows, as digital technology changes so quickly, if it will be possible to view digital images in the future.
I was amazed to learn this, because of the incredible possibilities of digital photography, that now exist. The cameras not only make it easier to control the image and exposure, in so many ways, that were much more complicated before with film. There
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is the advantage of seeing the digital result immediately. But even after having taken the picture, with the aid of software, the options available now to manipulate digital photographs are just fantastic!
This made me reflect on why I had favoured using colour reversal film (for my own creative transparencies) rather than negative film in the 1960's, before anyone had computers. I enjoyed most viewing the large projected image, far more than a print, even though there was no option to alter the picture once taken, yet I was using it for my own 'special effects'. But having to wait at least a week, to see the transparencies, was frustrating.
I preferred transparencies to negatives because I found it extremely hard to master colour printing, as an amateur, so I always relied on professional processing laboratories to make my prints.
My 'Special Effects' pictures were imaginative (nothing like the usual photographs) and I soon found that it was nearly impossible, when they made prints from my negatives, for them to know how to get the colour balance that I really wanted. The advantage of transparencies was that I could simply instruct them to match the colour balance of the transparency that they could see.
My favourite film was the Kodak 'Kodachrome 25' that sadly is no longer available. Transparencies were so much more vibrant than any of the prints and so I concentrated on what I could do with Kodachrome. By always using this film I soon got to know, how best to control it, even with my own 'Special Effects'.
These days I am excited by the digital option, rather than film. However, using my own invented 'Painting with light' technique that involves photographing projected images, I can create some effects that would be exceedingly difficult to achieve with digital software.
My own views have always been that the most important aspect of photography is the resulting picture, the composition, the quality and the choice of subject. Not the questions of the technique, or make of camera, lens used, or film etc. It is only the resulting picture that really matters; however, it was created!
After so many years using film, I am now personally totally sold on the digital system, but should any readers be interested in what special effects I achieved with my own 'Painting with Light' technique, please do have a look at my website https://www.jncohen.net/Limited-Edition-Prints/Painting-with-light.htm
"... regarded as one of Britain's most original photographers." The Times
"To Cohen, the impossible in colour merely takes a little longer... " Photography Year Book
The limited editions of his 'Special Effect' photographs can all be seen at https://www.artist-john-cohen.net/index.htm
John Neville Cohen has other specialised interests too, please have a look at https://www.jncohen.net/homepage.htm
Article Source: https://EzineArticles.com/expert/John_Cohen/27816

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Here's What No One Tells You About Digital Dslr Cameras.

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 The Best Advanced Digital Dslr Camera For 2020

Despite the fact that cell phone cameras are amazingly well known, independent computerized cameras despite everything have their place in the market.

Picture takers utilizing a customary advanced camera will have an essentially higher caliber of focal point and picture sensor versus the camera in a cell phone, which encourages the camera to convey better picture quality, while offering greater flexibility in the kinds of photographs you can make.

We've investigated our rundown of the best computerized cameras, including two or three top of the line models and keeping up a mainstream model from our conventional best picks.

Best computerized cameras of 2020

3. Sony's Alpha A6100 Mirrorless Camera: This newcomer to our rundown has a littler camera body than a DSLR, however it gives a portion of a similar picture quality advantages and execution speed of a DSLR.

Bounce to the base of this article for more data on each model.

What to consider before buying an advanced camera

Start your quest for the perfect computerized camera by contemplating the arrangement you need to utilize.

A simple to use computerized camera has the focal point incorporated with the camera, and it isn't removable.

An advanced single focal point reflex (DSLR) camera is the most excellent camera, offering compatible focal points in an enormous camera body.

A mirrorless camera acknowledges exchangeable focal points like the DSLR, yet it has an altogether littler body.

Another key part of an advanced camera is the physical size of the picture sensor, which is the light-touchy gadget inside the camera body, situated behind the focal point. A picture sensor that is bigger in physical size will have the option to record light more precisely than a little sensor, and it will perform obviously better in low-light circumstances. Here are the regular picture sensor sizes.

A little picture sensor that is just found in simple to use cameras.

A medium-sized picture sensor that is found in section level mirrorless cameras and is somewhat littler than APS-C.

A medium-sized picture sensor that is normal in section level DSLR and mirrorless cameras.

The biggest picture sensor found in customer level DSLRs and mirrorless cameras.

At last, focus on the quantity of megapixels (or MP) the picture sensor can record. A camera with a higher megapixel check performs better than one with a lower MP tally (if the picture sensor sizes are the equivalent).

Advanced cameras can run somewhere in the range of $150 to $5,000. DSLR cameras are the most costly, normally costing $400 to $5,000. Mirrorless cameras will in general disagreement the scope of $300 to $4,000. Simple to use cameras will cost $150 to $1,000. Cameras with bigger picture sensors sit at the higher finish of the value extend.

Q. What do I have to purchase other than the computerized camera body?

A. A few cameras are sold as the body just, while others are a piece of a more complete pack, so be certain you comprehend what it is you're purchasing. In any case, you'll need a focal point, a battery, a battery charger, and a memory card to utilize your camera.

Q. Do I need more than one camera?

A. On the off chance that you utilize a compatible focal point camera, you can buy new focal points to give it new highlights. This ought to permit you to get by with only one camera.

Top to bottom surveys for best advanced cameras

What we like: For the individuals who need the most elite available, this is the model. Its full-outline picture sensor and amazing propelled highlights permit achievement in practically any shooting circumstance.

What we disdain: This is perhaps the priciest camera around, however it offers you exact authority over your chances. Novices won't have the option to exploit its highlights.

What we like: Large long range focal points on simple to use cameras are helpful to fledgling picture takers, permitting them to reach far away subjects effectively, which is decent when shooting milestones in the midst of a get-away.

What we hate: It has an extremely little picture sensor, so it won't make the most excellent pictures.

What we like: It utilizes an APS-C picture sensor, which is ideal for tenderfoot and middle of the road photographic artists searching for noteworthy picture quality. The A6100 works quick and performs well in low light.

What we detest: A few people locate the little size of mirrorless cameras hard to hold appropriately.

 

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